The purpose of the development platform is to develop and upskill independent performing arts throughout Denmark.
Services
Continuing vocational training
CREATIVE PRODUCERS A continuing education course for professional stage producers and self-producing performing artists. CREATIVE PRODUCERS is a much-needed...
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Mentoring Programme
Focus on your professional and personal career development with the Development Platform’s Mentoring Programme. This 1-year Mentoring Programme will...
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Strategic Guidance
We offer strategic guidance for self-producing artists, producers and groups in the independent performing arts sector. The purpose of...
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Upcomming Activities
INTERNATIONAL DAYS /// CPH STAGE
In collaboration with CPH STAGE, we facilitate three international days where International and Danish colleagues meet each other. Living in a small country – we aim to create a joyful atmosphere and a possibility to get to know Danish performing arts. The days consists of an international artistic programme (both selected and fringe), an industry […]
Read moreINTERNATIONAL DAYS /// CPH STAGE
In collaboration with CPH STAGE, we facilitate three international days where International and Danish colleagues meet each other. Living in a small country – we aim to create a joyful atmosphere and a possibility to get to know Danish performing arts. The days consists of an international artistic programme (both selected and fringe), an industry […]
Read moreINTERNATIONAL DAYS /// CPH STAGE
In collaboration with CPH STAGE, we facilitate three international days where International and Danish colleagues meet each other. Living in a small country – we aim to create a joyful atmosphere and a possibility to get to know Danish performing arts. The days consists of an international artistic programme (both selected and fringe), an industry […]
Read moreSummer party at The Development Platform
Come and dance and say cheers to your peers at the end of this season. More info to come.
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”I går var jeg i biografen, i morgen skal jeg i teatret, og i overmorgen sidder jeg på Netflix”
Hvordan fanger man de unge mellem 15 og 34’s interesse for at gå i teatret? Og hvor langt skal man gå for at inddrage dem i de kunstneriske processer? Langt, mener direktør for Aveny-T, Jon Stephensen, som med sit nye væksthus vil skabe Danmarks nationalscene for unge.
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Det er vigtigt at give publikum oplevelser, de ikke vidste, de vil have
”Scenekunst handler for mig om publikum, det levende møde med et publikum. Det er helt grundlæggende det, der driver mig”. Erik Pold har flere kasketter; både som kunstnerisk leder på performanceteateret LIMINAL samt Det Frie Felts Festival. Her kan du læse hans tanker omkring publikumsudvikling.
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Fakta og fremtidsvisioner for publikumsudvikling i dansk scenekunst
Applaus præsenterer resultaterne fra den store nationale brancheundersøgelse og fejrer de 5 nye publikumsinitiativer.
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